Hours

Tue 10AM - 7PM
Wed 10AM - 7PM
Thu 10AM – 9PM
Fri 10AM – 7PM
Sat 10AM – 6PM
Sun 12PM – 6PM
Closed Monday

ADMISSION

ALWAYS FREE

DIRECTIONS

Show Map

Brown Foundation Gallery

Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing

On View: April 27 – August 3, 2014

Opening Reception:Saturday, April 26, 2014 | 6:30-9PM


For nearly two decades since his graduation from Temple University, Trenton Doyle Hancock has brought to life a cast of colorful—and often not so colorful—characters through his work. At the center of Hancock’s storytelling is an imaginative and epic narrative about fictional creatures called the Mounds, who populate a wildly fantastic, inventive landscape. The artist’s use of vivid imagery and mythology has earned him national and international recognition and prompted a fascination with the foundation of his practice. What emerges upon further examination of those foundations is a wide-range of influences including comics, graphic novels, cartoons, music, and film. While Hancock’s paintings have become widely known, his drawings–both discrete and monumental–have not been fully explored before now. Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing is the first in-depth examination of Hancock’s extensive body of drawings, collages, and works on paper.

The exhibition features more than two hundred works of art as well as a collection of the artist’s notebooks, sketchbooks, and studies, many showing the preparation for several public commissions. Comprehensive in scope, this survey includes works from 1984 to 2014, chronicling the foundation of the artist’s prolific career. The exhibition provides a glimpse into the evolution of Hancock’s idiosyncratic vision beginning in his childhood. Ephemera such as early childhood drawings and the artist’s comic strip that ran in a college newspaper are featured to allow viewers to see the genesis of the artist’s mythology as well as the evolution of his practice. 

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Melanie Smith/Rafael Ortega, "Bulto-Highway / Dune Pac Sequence (still)," 2011. Video, 2:57 minutes. Courtesy the artist.

Zilkha Gallery

Melanie Smith

On View: March 22 – June 15, 2014

Opening Reception:Friday, March 21, 2014 | 6:30-9PM


The Contemporary Arts Museum Houston is pleased to present video and sculpture by Mexico City-based artist Melanie Smith. CAMH's exhibition focuses on three video-based installation works: Xilitla: Dismantled 1; Bulto: Fragments; and Elevator (2010, 2011, and 2012, respectively). Working in cinematic installations since the late 1990s, Smith, as an English-born artist living in Mexico, initially took an almost ethnographic approach to the eccentricities of the sprawling, chaotic mass of her adopted home city, considering as worthy of critical examination the markets full of plastic and the shear physical expanse of the massive metropolis. Since 2010 her works have grown less analytical and increasingly poetic, sensual, and surreal.

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Joseph Havel, "Endless", 2013.

Front Lawn

Art on the Lawn: Joseph Havel

On View: July 19, 2013 – April 30, 2014

Opening Reception:Friday, July 19, 2013 | 6:00PM


The Contemporary Arts Museum Houston is pleased to present a new site-specific work by Houston-based sculptor Joseph Havel. For the third installation in CAMH’s Art on the Lawn series, Havel has created an “endless column” of books. Endless (2013), made from books cast in bronze and resin, emerges from the centerpiece of the Museum’s lawn, the Ballard Fountain. The column of books, cast from a stack of Sotheby's auction catalogues among others, stands almost 20 feet high and gradually transitions from bronze to translucent resin. Join CAMH on Friday, July 19, for the official debut of Endless during the opening reception for Graphic Design—Now in Production, 7-9PM. 

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Cullen Education Resource Room

The Evolution of Neglect: Scenes of Ruin and Ruins from The Menil Collection

On View: March 15 – April 27, 2014

Opening Reception:Thursday, March 27, 2014 | 5:30PM


The Contemporary Arts Museum Houston's Teen Council presents The Evolution of Neglect: Scenes of Ruin and Ruins from The Menil Collection, featuring a selection of photographs by fifteen artists. Through varying scenes that portray subtle signs of existence to depictions of barren landscapes, the exhibition traces the complex narrative of an evolving world through images of life and lifelessness.

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