The bewildering sensation of recognizing the foreign in the familiar and the familiar in the foreign is at the heart of the exhibition Rites of Spring. Taking stock of the tension between abstraction and representation, Rites of Spring juxtaposes abstract paintings that make room for bodies with photographs that could be described as ‘painterly.’ To paraphrase Kurt Vonnegut, the easiest way to bring a scene into focus is to put a figure in it. Anchoring abstract painting with figurative elements, and using the straightforwardly representational medium of photography to create abstract images, Rites of Spring makes the case that abstraction isn’t solely the territory of painting.
Artists in Rites of Spring are Michele Abeles, Lucas Blalock, Chris Cascio, Abigail DeVille, Nicole Eisenman, Josh Faught, Robert Melee, Troy Michie, Ulrike Müller, Jennifer Packer, Joyce Pensato, David Reed, Mariah Robertson, Eileen Quinlan, Pinar Yolacan, and Brenna Youngblood.
ABOUT OUTSIDE THE LINES
Rites of Spring is one in a six-part series of exhibitions organized under Outside the Lines. Presented on the occasion of the Contemporary Arts Museum Houston's 65th anniversary, Outside the Lines is conceived as an evolving dialogue on contemporary abstraction. The first three exhibitions—UIA (Unlikely Iterations of the Abstract), Outside the Lines, and Black in the Abstract, Part 1: Epistrophy—opened October 31, 2013. The final three presentations—Rites of Spring, Painting: A Love Story, and Black in the Abstract, Part 2: Hard Edges/Soft Curves—open in January over three weekends.
From recent paintings embracing more traditional definitions of abstraction to multimedia works that challenge such notions, Outside the Lines showcases the Museum's commitment to chronicling shifts in contemporary art practices by presenting some of the most compelling work being made today and revisiting the historical foundations to which they speak. CAMH's director Bill Arning and full curatorial staff—Valerie Cassel Oliver and Dean Daderko—each organized two exhibitions; these six complete visions are mounted in two rounds. Outside the Lines is installed in both the Brown Foundation and the Zilkha galleries, uniting the whole museum in one thematic exhibition for the first time. Constructed as a dynamic, diverse, and innovative curatorial project, Outside the Lines offers a variety of vibrant visual experiences and perspectives on abstraction in the present moment.
Hearkening back to the popular CAMH exhibition Abstract Painting, Once Removed (organized by Dana Friis-Hansen, 1998) and the curatorial experimentation in Changing Perspectives (1995), Outside the Lines opened October 31 with three presentations: UIA (Unlikely Iterations of the Abstract) organized by Arning, Black in the Abstract, Part 1: Epistrophy organized by Cassel Oliver, and Outside the Lines organized by Daderko. Staggered openings in January 2014 for the remaining three exhibitions in the series—Rites of Spring by Daderko, Painting: A Love Story by Arning, and Black in the Abstract, Part 2: Hard Edges/Soft Curves by Cassel Oliver—invite audiences to re-visit the evolving exhibition and consider abstract painting from multiple vantage points. Though installed in dedicated spaces, these exhibitions converse with each other. The full complement of shows will be contextualized within a single catalogue to be published in 2014.
Listen to an interview with artist Christoper Cascio, whose work is feature in the exhibition Rites of Spring using the SoundCloud widget below: