Opening reception January 18, 2019 | 6:30–9PM

Brown Foundation Gallery
On View January 19–March 31, 2019

Over the last decade, Cheryl Donegan has made paintings that are as irreverent and subversive as her widely acclaimed political, feminist approaches to video. Similar in content to the performative work she created in the 1990s—which, today is included among the standards of art history textbooks—her painterly practice is infused with an ironic eroticism, often time-based, and pointedly references the male-dominated history of Abstract Expressionism and action painting. Donegan’s newest highly conceptual painted and printed works continue her investigations into mark-making, beauty, seduction, fashion, and the nature of art-making.

The exhibition is organized jointly by CAMH and the Aspen Art Museum, and is accompanied by the first comprehensive catalogue on Donegan’s practice to date.

Recognize My Sign

Nina and Michael Zilkha Gallery
On View: November 10–February 17, 2019

Nicolas Moufarrege: Recognize My Sign—the artist’s first solo museum exhibition—traces the development of his work from the lap-scaled portrait-tapestries he produced in Beirut, Lebanon in the early-1970s to the final works he created in New York City, New York in 1985. A dedicated appropriator, Moufarrege culled images from a broad and vast sourcebook; his embroidered paintings mix references from Classical sculptures and Baroque paintings with comic book heroes, Islamic tilework designs, Pop Art, and Arabic calligraphy. He borrowed images from paintings and prints by artists such as Katsushika Hokusai, Edvard Munch, Pablo Picasso, and especially Roy Lichtenstein. If appropriation provided the artist with raw subject matter, it is his pointed juxtapositions of images that most clearly reveal Moufarrege’s wit and thoughtful intelligence: his stitched paintings tell stories. This exhibition is organized by CAMH Curator Dean Daderko.