Dionne Lee (b. 1988, New York, NY) works in photography, collage, and video to explore power, survival, and personal history in relation to the American landscape. Lee lives and works in Columbus, Ohio and received an MFA at California College of the Arts in San Francisco in 2017.

Lee’s work has been exhibited at the Museum of Modern Art, New York, The Whitney Museum of American Art, New York, New Orleans Museum of Art, Museum of Fine Arts Houston, The Princeton University Art Museum, Contemporary Art Gallery of Vancouver, CA, Wattis Institute for Contemporary Art, San Francisco, CA, Aperture Foundation, New York, International Center of Photography, New York, and Light Work, New York.

Recent exhibitions include Whitney Biennial 2024: Even Better Than the Real Thing, The Whitney Museum of American Art, New York, Spora, Swiss Institute, New York, NY, Widening the Lens: Photography, Ecology, and the Contemporary Landscape, Carnegie Museum of Art, Pittsburgh, PA, Prologue, Columbus Museum of Art, Columbus, OH, All This Soft Wild Buzzing, Wattis Institute for Contemporary Art, San Francisco, CA, Re/Sisters, Barbican Art Gallery, London, UK, Penumbra Foundation, New York City, Site Unfolding, Bibeau Krueger, New York City, Tara Downs, New York City, Cushion Works, San Francisco, CA, The Locker Plant / Chinati Foundation, Marfa, TX, Et al. San Francisco, CA, /(Slash), San Francisco, CA, FotoFest Biennial 2022: If I Had a Hammer, Houston, TX, and Center For Fine Art Photography at the Gregory Allicar Museum of Art, Fort Collins, CO.

Lee is a 2025 Guggenheim Fellow. She was an Artist-in-Residence at the Chinati Foundation, Unseen California, and Land Arts of the American West between 2022-2023. In 2019 Lee was an artist in residence at the Center for Photography at Woodstock.

Rebecca Matalon is Senior Curator at Contemporary Arts Museum Houston (CAMH), where she has organized exhibitions for artists Garrett Bradley, Mariah Garnett, Diane Severin Nguyen, Cauleen Smith, and Jordan Strafer, as well as the two-person exhibition, Wild Life: Elizabeth Murray & Jessi Reaves (2021). Matalon is currently working on Mary Ellen Carroll: How to Talk Dirty and Influence People (2025), the first major survey exhibition of the work of Mary Ellen Carroll, among other projects.

Previously, Matalon was Assistant Curator at The Museum of Contemporary Art, Los Angeles (MOCA), where she organized exhibitions including Tongues Untied (2015), Mickalene Thomas: Do I Look Like a Lady? (2016), Welcome to the Dollhouse (2018), and Décor: Barbara Bloom, Andrea Fraser, Louise Lawler (2018). In 2018, she co-organized Zoe Leonard: Survey, a major mid-career retrospective of the work of Zoe Leonard, which debuted at The Whitney Museum of American Art in New York before traveling to The Geffen Contemporary at MOCA. Matalon was a Co-Founder, and from 2015–2018, Curator at JOAN, a not-for-profit exhibition space in Los Angeles that is dedicated to presenting the work of emerging and under-represented artists. She has contributed writing to multiple publications and regularly lectures on contemporary art and curating. Matalon serves on the board of Electronic Arts Intermix (EAI) and was on the Organizing Committee of Texas Talks Art, a multi-institutional initiative that launched in January 2021.