Left: Tay Butler. Courtesy Christopher Clark. Right: Lovie Olivia: Frank Hernandez.

Left: Tay Butler. Courtesy Christopher Clark. Right: Lovie Olivia: Frank Hernandez.

Houston First

Tay Butler and Lovie Olivia

September 20 - November 17
Partnership Tower, 1st Floor Lobby

About

Tay Butler and Lovie Olivia participated in Contemporary Art Museum Houston (CAMH)’s artist-in-residence program, CAMHLAB, in partnership with Houston Freedmen’s Town Conservancy (HFTC). While in residence, their research highlighted, honored, and animated the critical histories and stories of Freedmen’s Town, a neighborhood established in 1865 by over 1,000 newly freed Black people that is now recognized as Houston’s first Heritage District. The presentation at Houston First is inspired by the ideas  Bulter and Olivia were toiling with during their CAMHLAB residency. 

Summer League by Tay Butler

Basketball is an omnipresent feature of summertime in Black communities. From camps that occupy kids no longer in school, leagues administered by the government and law enforcement to "provide an outlet," or big-money Amateur Athletic Union (AAU) travel teams competing for attention from college coaches, basketball is everything in the summer. We see basketball used for everything, from selling merchandise, filling scholarship slots, and surveilling young Black people. But what does it look like to use basketball to inform us about politics and history? Summer League is a small series of mixed-media works imagining the game of basketball embracing a new role as a liberator.

THOWED AWAY by Lovie Olivia

THOWED AWAY is a commemoration of the vibrant neighborhoods and communities like Scenic Wood and Homestead, Acres Homes, Hiram Clark and Missouri City, SunnySide and South Park, Fifth Ward, Third Ward, and the Mother Ward of Freedmen's Town that helped raise the artist. The stories collected of its legends and citizens carved maps for surviving Houston's Future. A future that remembers and considers its archive. While there are other settlements in Houston, Olivia is concentrating on these nine points in the city as sites of personal, metaphorical, and mythical excavation. 

Visualized through a series of six framed works on/in paper ranging in size from six to two feet.  Imagined and manifested through a collage practice that utilizes found objects like vintage file folders, mined detritus such as prescriptions, journal pages, notes, ledgers, records, war songs, and other blindly beautiful objects procured while scrounging garage sales, estate sales, and resale shops throughout Texas—become storied curios. THOWED AWAY allows poetic moments that occur between the found and the made object—evidencing the hidden, and entombing the vulnerable. THOWED AWAY further observes how beauty in the absence and curiosity in the archive decorates this plentiful Southern Black life deserving of honor and art.

Organizers

CAMH x Houston First is organized by Contemporary Arts Museum Houston. This presentation is curated by Ryan N. Dennis, Senior Curator and Director of Public Initiatives.