Island Time: Galveston Artist Residency – The First Four Years features works by former residents and artists who have exhibited at the Galveston Artist Residency (GAR). The exhibition includes work by twenty-two artists and features animation, installation, painting, sculpture, video, and performance, representing the breadth of work that has originated and been shown in Houston’s neighboring island city of Galveston. The exhibition is organized by guest curator Eric Schnell, director and co-founder of GAR.
Artists in the exhibition are: Nick Barbee, Josh Bernstein, Jesse Bransford, Bill Davenport and Alex Irvine, Jonah Groeneboer, Eric Heist, John Hodany, Colin Hunt, Autumn Knight, Nsenga Knight, Joe Joe Orangias, Grace Ndiritu, Zahar Vaks, Bill Powhida and Jade Townsend, George Rush, Victoria Sambunaris, Davide Savorani, DanSchmahl, Kelly Sears, and Hilary Wilder.
Founded in 2011, GAR is an extended-term artist residency that offers artists a unique and supportive environment in which to think, create, and engage with fellow residents and their locale. Each of these artists was given time to experience Galveston in her or his own unique way, and the work in this show is a reflection on that time. In this way, Island Time also becomes an exhibition about Galveston as seen through the eyes of participating artists—the town’s idiosyncratic pacing, climate, communities, vibe, and relationship to Houston.
“The Galveston Artist Residency renews my faith in the power of artists to transform a person’s experience of a place. Like many Houstonian art lovers, I read about all the projects GAR does but miss too many of their fine exhibitions and projects. My hope is that this exhibition will inspire all of us to visit our neighboring city and their robust art scene more often,” says Bill Arning, Director of CAMH.
Among the works on view is a site-specific floor painting by Jesse Bransford using various esoteric languages to create an energetic link between GAR and CAMH; a minimalist video and photographs by Jonah Groeneboer that explore our relationship to time; and a sculpture by Houston-based artist Josh Bernstein that is based on his ongoing reimagination of Cabeza de Vaca’s epic travels through Texas. Multi-disciplinary artist Autumn Knight will restageher performance WALL (2013), a series of performed sounds, rituals, and actions influenced by both the religious prayer site the Wailing Wall in Jerusalem and the Galveston Seawall; both are places visited repeatedly by people making offerings in the hope of receiving something in return.
In addition, viewers to the exhibition will see a small selection from GAR’s 2013 exhibition Best of the Beach, which celebrated beachcombers, collectors, and the unlimited artistic potential of the Gulf. As part of the programming for the exhibition, CAMH and GAR are organizing a bus tour from Houston to Galveston to include beachcombing with Davenport and Irvine, as well as a visit to Pink Dolphin Monument and GAR. The Pink Dolphin Monument was created by Orangias, writer Sarah Sloane, and scientist Frank Pega in celebration of gender and sexual minority communities and is the first monument dedicated as such in the southern United States. At CAMH, Orangias expands the conversation with a large-scale sculpture and video installation highlighting monuments to sexual and gender minorities around the globe. For complete programming information, please visit camh.org.
Co-founded by artist Eric Schnell and biologist Bert Geary, GAR was created post-Hurricane Ike as a way to help build community. “The biologist Bert Geary and I had always wanted to collaborate on a project and the idea of making a place where creativity was encouraged for its own sake—where the beautiful was reason enough—seemed to help both of us heal somewhat from our Ike-broken hearts,” says Schnell. Besides Schnell, GAR has only one other employee, Sallie Barbee, who has been an important collaborator from the beginning. GAR annually provides three artists with studio space, free housing, and a stipend during the eleven-month residency. Eligible artists can be emerging or established but must be desirous of a period of intense, focused studio time. Since its grand opening in 2012, twenty artists have come through GAR. The artists are from all over the world, including Berlin, Italy, and London, from New York, Kentucky, Virginia, and Florida, and also some closer to home, Houston.
Exhibition Trailer: Island Time: Galveston Artist Residency – The First Four Years
Artist Talk: Island Time Artists in Conversation with Bill Arning and Eric Schnell
This exhibition has been made possible by the patrons, benefactors and donors to the Museum’s Friends of Steel Exhibitions:
Director’s Circle: Chinhui Juhn and Eddie Allen, Fayez Sarofim, Ms. Louisa Stude Sarofim. Curator’s Circle: Dillon Kyle Architecture, Inc., Mr. and Mrs. I. H. Kempner III. Major Exhibition Circle: A Fare Extraordinaire, Bergner and Johnson Design, Jereann Chaney, Sara Paschall Dodd, Marita and J.B. Fairbanks, GregFourticq, Barbara and Michael Gamson, Brenda and William Goldberg, Blakely and Trey Griggs, George and Mary Josephine Hamman Foundation, Leslie and Mark Hull, Jackson and Company, Louise D. Jamail, Anne and David Kirkland, KPMG, LLP, Beverly and Howard Robinson, Lauren Rottet, Robin and Andrew Schirrmeister, Yellow Cab Houston, Mr. Wallace Wilson, Michael Zilkha. Perspectives Exhibition Circle: Bright Star Productions Inc., Elizabeth Howard Crowell, Dillon Kyle Architecture, Inc., Ruth Dreessen and Thomas Van Laan, Leigh and Reggie Smith, King & Spalding L.L.P., Susan Vaughan Foundation, Inc.
The catalogue accompanying the exhibition is made possible by a grant from The Brown Foundation, Inc.
Funding for the Museum’s operations through the Fund for the Future is made possible by generous grants from Chinhui Juhn and Eddie Allen, Jereann Chaney, Marita and J.B. Fairbanks, Jo and Jim Furr, Barbara and Michael Gamson, Brenda and William Goldberg, Leticia Loya, Fayez Sarofim, Robin and Andrew Schirrmeister and David and Marion Young.
The Museum’s operations and programs are made possible through the generosity of the Museum’s trustees, patrons, members and donors. The Contemporary Arts Museum Houston receives partial operating support from The Brown Foundation, Inc., Houston Endowment, the City of Houston through the Houston Museum District Association, the National Endowment for the Arts, the Texas Commission on the Arts, The Wortham Foundation, Inc. and artMRKTProductions. CAMH also thanks its artist benefactors for their support including Michael Bise, Bruce High Quality Foundation, Julia Dault, Keltie Ferris, Mark Flood, Barnaby Furnas,
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