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Jane Alexander: Surveys (from the Cape of Good Hope)

On View: August 11, 2012 - November 4, 2012
When:
February 22, 2018 @ 6:00 PM – 7:00 PM
2018-02-22T18:00:00-06:00
2018-02-22T19:00:00-06:00
Where:
Brown Foundation Gallery
Jane Alexander: Surveys (from the Cape of Good Hope) @ Brown Foundation Gallery

Jane Alexander’s hybrid mutants speak to the porous borders between humans and other forms of animal life. Alexander acts as a surveyor mapping the forces, interests, and passions at play in human behavior. Her sculptures, installations, and photomontages are firmly rooted in her South African experience. They also transcend their locality, revealing the disparity felt every day around the world between the rhetoric of peace and decorum and the human capacity for oppression and violence. Alexander’s body of work throws into relief the asymmetric relations and practices that preclude access for so many people to a free and dignified existence.


About the Artist

Jane Alexander, born in Johannesburg, South Africa, works primarily in sculpture and photomontage and is widely known for her sculpture, Butcher Boys (1985-86) in the collection of the South African National Gallery. Alexander’s solo exhibitions include Jane Alexander: On Being Human (2009) at the Galilee Chapel of Durham Cathedral, Survey (2009) at the Jack Shainman Gallery in New York, Jane Alexander (2000) at Gasworks in London, and Bom Boys and Lucky Girls (1999) at the University of Cape Town, Irma Stern Museum. Her artwork has been exhibited widely in international group exhibitions including the Venice, Havana, Gothenburg, Tirana, Bamako, São Paulo, Singapore, and Dakar biennials. She has also participated in such group exhibitions as Africa Remix (2006) exhibited in Europe, Japan, and South Africa; Apartheid: The South African Mirror (2007) in Spain; Personal Affects: Power and Poetics in Contemporary South African Art (2004) in the USA; and The Short Century (2002) in Germany and the USA. She currently teaches at the University of Cape Town’s Michaelis School of Fine Art.

 


Sponsors

This exhibition has been made possible by the patrons, benefactors and donors to the Museum’s Major Exhibition Fund: Major Patron – Chinhui Juhn and Eddie Allen, Fayez Sarofim, and Michael Zilkha. Patrons – Mr. and Mrs. I. H. Kempner III and Ms. Louisa Stude Sarofim. Benefactors – Baker Botts L.L.P. / Anne and David Kirkland, George and Mary Josephine Hamman Foundation, Louise D. Jamail, Marley Lott, Beverly and Howard Robinson, Andrew Schirrmeister III, Leigh and Reggie Smith, and Mr. Wallace Wilson. Donors – Anonymous, Bank of Texas, Bergner and Johnson Design, Jereann Chaney, Susie and Sanford Criner, Elizabeth Howard Crowell, Dillon Kyle Architecture, Sara Dodd-Spickelmier and Keith Spickelmier, Ruth Dreessen and Thomas Van Laan, Marita and J.B. Fairbanks, Jo and Jim Furr, Barbara and Michael Gamson, Brenda and William Goldberg, King & Spalding L.L.P., KPMG, LLP, Judy and Scott Nyquist, Belinda Phelps and Randy Howard, Lauren Rottet, David I. Saperstein, Scurlock Foundation, Susan Vaughan Foundation, Inc., and Karen and Harry Susman.


Education Support

The Museum receives support for its education programs from: Anonymous, Louise D. Jamail. Mr. and Mrs. I.H. Kempner III, Kinder Morgan Foundation, Robert and Pearl Wallis Knox Foundation, Leticia Loya, Elisabeth McCabe, M.D. Anderson Foundation, Marian and Speros Martel Foundation Endowment, Mark and Mary Ann Miller, Texas Commission on the Arts, Texas Women for the Arts, Ms. Louisa Stude Sarofim, Martha Claire Tompkins, and Elizabeth Satel Young.

Teen Council is supported by Ms. Louisa Stude Sarofim, Texas Women for the Arts and Texas Commission on the Arts.


General Support

Funding for the Museum’s operations through the Fund for the Future is made possible by generous grants from Chinhui Juhn and Eddie Allen, Anonymous, Jo and Jim Furr, Barbara and Michael Gamson, Brenda and William Goldberg, Mr. and Mrs. I.H. Kempner III, Leticia Loya and Fayez Sarofim.

The Museum’s operations and programs are made possible through the generosity of the Museum’s trustees, patrons, members and donors. The Contemporary Arts Museum Houston receives partial operating support from the Houston Endowment, the City of Houston through the Houston Museum District Association, the National Endowment for the Arts, the Texas Commission on the Arts, and The Wortham Foundation, Inc. CAMH also thanks its artist benefactors for their support including Anonymous, Leonardo Drew, Tim Gardner, Oliver Herring, Jim Hodges, Michael Ricci Albenda, Anonymous, McArthur Binion, Brendan Cass, Mel Chin, Leonardo Drew, Tim Gardner, Robert Gober, Wayne Gonzales, Oliver Herring, Jim Hodges, Michael Joo, Kurt Kauper, Jon Kessler, Terence Koh, Sean Landers, Zoe Leonard, Marilyn Minter, Donald Moffett, Ernesto Neto, Roxy Paine, Laurie Simmons, Josh Smith, Marc Swanson, and William Wegman.

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