Robert Hodge, Stand Your Ground, 2013. Mixed media and acrylic on reclaimed paper, hemp thread. 57 x 97 in. Courtesy the artist.

Robert Hodge, Stand Your Ground, 2013. Mixed media and acrylic on reclaimed paper, hemp thread. 57 x 97 in. Courtesy the artist.

Past Exhibition

Robert Hodge: Destroy and Rebuild

October 3, 2014 - January 4, 2015
Nina and Michael Zilkha Gallery


Contemporary Arts Museum Houston is pleased to present work by Houston-based artist Robert Hodge. A musician and visual artist, Hodge has been involved in the city’s art scene since the late 1990s. His practice has expanded to include site-specific sculpture that provides communities with a place to gather and interact. Robert Hodge: Destroy and Rebuild features fifteen paintings from the past two years, more than half of which were created specifically for this presentation. It is the artist’s first solo museum exhibition.

As a visual artist, Hodge has been in pursuit of the recovery of cultural and political icons that have been lost to a fast-paced and ever-changing society. Trained in printmaking, Hodge has used strategies employed by graphic designers to convey his messages to combat social and political amnesia. Over the past five years, the artist has literally taken the paper—billboards, posters, post bills—that clutters the streets of his neighborhood in Houston’s historic Third Ward and has converted it into material for his own work. Hodge compresses this detritus into paintings that transform disparate aims into a cohesive message aimed at social recovery. 

His most recent body of work puts into direct confrontation representations of black people as rendered in the eighteenth, nineteenth, and early twentieth century with the self-determined and defined lyrics of late twentieth and early twenty-first century hip-hop. By superimposing language upon these images, Hodge seeks to interrogate the image against the weight and backdrop of celebrated vernacular. The exhibition’s title, Destroy and Rebuild, underscores more than just process and emerges as a metaphor for the destruction of archaic perceptions of blackness and the recovery of personal and communal value.

In conjunction with this exhibition will be an off-site presentation of a temporary event space entitled The Beauty Box. In 2013, the artist created the first Beauty Box by reclaiming a dilapidated section of a building in the Third Ward and transforming it into a community-gathering place. At the site, the artist scheduled a series of events that included film screenings, poetry readings, music, dinners, talks, and exhibitions created for the surrounding community. Destroy and Rebuild will feature a second iteration of this site-specific sculpture, this time in Houston’s Fifth Ward at 3705 Lyons Street, which will again be activated by a series of programs organized by the artist.


Robert Hodge: Destroy and Rebuild is organized by Valerie Cassel Oliver, Senior Curator at Contemporary Arts Museum Houston.


The Perspectives Series is made possible by a major grant from Fayez Sarofim and by donors to the Museum’s Perspectives Fund: Bright Star Productions Inc., The Brown Foundation, Inc., Dillon Kyle Architecture, Greg Fourticq, Barbara and Michael Gamson, Heidi and David Gerger, Blakely and Trey Griggs, Melissa and Albert Grobmyer, Glen Gonzalez and Steve Summers, Kerry Inman and Denby Auble, Mady and Ken Kades, Poppi Massey, Robin and Andrew Schirrmeister.

Extended Media