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CINEPLEX at CAMH’s Zilkha Gallery transforms it into a cinematic space celebrating the power of montage, featuring over fifty film/video works exploring diverse cinematic interventions.
MoreMarcel Duchamp’s 1913 readymades challenged art definition. Today, It is what it is. Or is it? aims to revive Duchamp’s radicality, exploring readymades as dynamic thought processes.
MorePerspectives 179 presents Alvin Baltrop’s first museum survey, showcasing his transformative photography capturing societal shifts, intimate moments, and NYC’s West Side piers, offering a poignant visual diary of cultural change.
MoreJane Alexander’s Surveys (from the Cape of Good Hope) explores the blurred boundaries of human-animal connections, delving into global themes of oppression and violence while rooted in her South African experience.
MoreYour Land/My Land: Election ’12 by Jonathan Horowitz divides spaces with red and blue rugs, echoing America’s political divide. The installation screens Fox News and MSNBC, fostering discussion.
MoreThe Andy Monument by Rob Pruitt, a seven-foot tall chrome sculpture, pays tribute to Andy Warhol.
MoreUnfinished Country: New Video from China showcases the evolution of Chinese contemporary art through video and new media, presenting work by emerging artists capturing China’s dynamic transition.
MoreCAMH Teen Council’s Perspectives 181: Human Nature explores diverse teen artists’ perspectives on humanity, encompassing 49 works spanning photography, sculpture, and video, delving into universal and nuanced aspects of human experience.
MoreParallel Practices: Joan Jonas & Gina Pane explores the pioneering contributions of two proto-feminist performance artists, Joan Jonas and Gina Pane, celebrating shared and distinct aspects of their multidisciplinary works.
MoreLaToya Ruby Frazier’s WITNESS probes agency amidst Braddock, Pennsylvania’s crises. Her poignant lens, from generational struggles to environmental activism, unveils nuanced narratives of societal and personal struggles.
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